Showing posts with label Vintage. Show all posts
Showing posts with label Vintage. Show all posts

Friday, December 21, 2012

Nostalgia: Vintage Christmas Card Countdown No. 6, Santa's on the Line


Vintage Christmas Card Countdown No. 6, Santa's on the Line

This unusual postcard shows Santa on a candlestick phone and captures a glimpse of our technology and communication future.  Based on the telephone style and Santa's rosy cheeks and jolly glance, I am dating it to the early 1920s as this is the rare "unsent" postcard with no postmarks or messages to mark its exact place in time.

The greeting is a wonderful little verse, that I feel is still true no matter how fast and often technology lets us travel or connect:

From here to there's an awful ways,
Measured by miles and nights and days,
Yet Christmas always brings you near--
The season's best to you my dear.

Monday, May 7, 2012

Nostalgia: "Before You Were Here" Vintage Postcards and Capturing the Spirit of a Place


The Sea Island Casino, vintage postcard roughly 1940/50s
History fascinates me as much as paper nostalgia, especially vintage postcards, which is one of the reasons I started The Paper Compass.  When someone speaks about history, I am all ears.  When I travel, I often read up on the location, my curiosity driven by questions such as how did this place come to be? What did the people who shaped it see and think and do?  This is why, very naturally, and gradually over the course of the last two decades, I have unsurprisingly found myself a collector of vintage postcards.

My first vintage postcard set the trend.  I found it in a thrift store in Lake Worth, Florida my senior year in high school.  It was a view of Commonwealth Avenue in Boston, looking towards the Boston Public Garden from Kenmore Square, with a statue rising out of a fountain as the foreground focal point.  I bought it with the romantic notion of finding the scene featured once I arrived at Boston University, and I pasted it to my new dorm room filing cabinet.  As synchronicity would have it, “the end” of the Commonwealth mall, part of The Emerald Necklace, was about two blocks away from my dorm.  I recognized the statue one evening after leaving my friend’s apartment in The Braemore.  It was smaller than I thought it would be, the fountain was dry, and the grandeur of the view was marred by the overpass to Storrow Drive.  But I had found it!  I was captivated by the fact that this view of the city was still there 70+ years later.  So began the trend of collecting vintage postcards of places that I wanted to visit, dreamed about (the original Coney Island), or had been.

My recent travels (the inspiration for my last post) took me to back to Georgia’s Golden Isles, where I consistently visited my grandparents, once a year, for the first 25 years of my life.  My memories of time spent on Sea Island, at the hotel, The Cloister, located there, and also on St. Simons run vivid and deep.  They are some of my most favorite memories with my family and of my childhood.  And because time always marches on, so many of the locations, are truly that now—just memories. 

The courtyard of The Cloister roughly 1930/40s--you can
still see the wilderness of the island off in the far distance
Built in the 1920s by famous Florida architect Addison Mizner, The Cloister, a casino, a pool and a resort, soon became the summer haunt of Atlantians, and some of Hollywood’s and Washington’s rich and famous.  The hotel (and island community) survived The Great Depression by printing their own money.  After WWII the hotel continued to expand, and by the time my childhood memories of Sea Island and The Cloister began it had grown into a thriving resort and cottage community.  So highly was it regarded, along with the beauty of the island, that The Cloister hosted the 30th G8 summit there in 2004.  After that, the hotel decided to expand, to upgrade and improve.  The original Mizner hotel was torn down, a new hotel built with more modern amenities and better views.  Next, the original Beach Club was torn down, a new pool area built (minus diving boards—too much of a liability).  And, last but not least, a gate house was built so that only those with special access can get on the island.  Everything that was once there is completely razed.  Everything is new.  Modernized.  In what feels like having a waking dream, everything there is inspired by the same rooms, hallways, pool decks, and dining areas that came before it—so that it seems familiar, smells the same—but doesn’t feel right. 

The new hotel and beach club are truly beautiful.  Like something out of Architectural Digest.  In some cases I will agree that it is “improved.”  My memories, though, are of a place that was much more fun, full of traditions but also casual.  Inviting.  Which is why the two vintage postcards featured here are some of my collection favorites.  They are of the Cloister before I ever knew it, but they feel familiar because the old hotel always had the glamour that is present in vintage postcards.  Even without a message they seem to say, Wish You Were Here—celebrating the golden age of an era when handwriting and postcards were as common as fingerbowls on the dinner table.
 
It is not easy to capture the spirit of a place.  Especially, its place in time.  But I find that if you look in the right places—such as a dusty box in the corner of an antique shop—you just may be able to find the vintage postcard that does. 

For fun: a 1980s postcard of the Beach Club
that looks like it came right out of my childhood memories

A postcard of architectural renderings of the "new" Cloister hotel

                        

Friday, April 6, 2012

Nostalgia: Vintage Easter Greetings



These wonderful vintage postcards are part of my Easter collection.  The pastoral and cheerful natural images heralding the return of spring in the illustrations make me happy, especially when it means saying good-bye to winter with flocks of fuzzy, newly hatched chicks.  

The hatching chick card (above) originally caught my eye for its elaborate embellishments.  The lovely celadon paper is engraved with lavender metallic ink with a scalloped and bordered edge.  There is also lovely embossing that frames the oval which contains the illustration, which is pasted onto the card.  Having worked in the stationery industry, I appreciate the complexities of these embellishments and their overall subtly.  While the back is inscribed in pencil, “With best wishes for Easter, from Peggy” it is mysteriously not printed for mailing.   


The gathering of chicks around a be-ribboned egg (above) is a postcard that I found in Germany during my visit there in March of 2009.  I discovered it at the same market that I mentioned in my last post.  One of the more interesting details is that the illustration is signed by the artist, something that you don't see too often.

Last but not least, I couldn’t leave out these wonderful Victorian vintage die-cuts of flowering spring wheel barrows.  I found these at one of my local antique haunts and was inspired to use them on some spring-themed decorative boxes I was making.



Just like these little wheel barrows, I hope your spring is off to a bountiful start! 

   

Saturday, March 17, 2012

Celtic Music as Creative Muse


For each petal on the shamrock.
This brings a wish your way
Good health, good luck, and happiness
For today and every day. 
-Irish Verse
The shamrocks on the postcard above caught my eye, when I was at a market in Frankfurt a few years ago, and I picked up the card (which is truly a New Year card) for its interesting mixture of symbolic imagery.  Paired with the Good Luck card from 1908, I thought that it was a fitting vintage postcard tribute to St. Patrick’s Day. 

Today, I thought that I would share a very Irish-inspired driver to my creativity, which is Celtic music.  About two years ago, I was working through a snowy weekend on an intensive project whose deadline had just been moved up a month.  Having been through all my usual music, I started hunting around for something more energizing than classical and not as distracting as rock.  That is when I decided to take a listen to the Celtic Sojourn radio on WGBH.org and a whole new genre of music opened before me—filled with spritely fiddles, moving aires, and folky ballads.

CelticSojourn is hosted by Brian O’Donovan, whose Irish lilt is a warm pairing for his musical knowledge as he “explores the roots and branches of traditional Irish music.”  Since that working-weekend two years ago, I have come to look forward to the three, well-crafted hours of music that Brian O’Donovan shares every Saturday afternoon from 3pm to 6pm (in what I believe may be one of the last remaining, truly independent music-based radio shows.)

And while I may prefer the fiddle over the moan of the ellenhorn, I will always welcome an Irish tune to inspire my state of creative flow.

Explore what Irish music does for your creative process and share here on The Paper Compass.  You can listen to Celtic Sojourn live every Saturday afternoon in the Boston area on 89.7 WGBH or online at WGBH.org from 3pm to 6pm. There is also a streaming radio feed to listen anytime, or you can select specific shows at: www.wgbh.org/celtic.

May the luck of the Irish be with you on this St. Patrick’s Day and every day!

   

Tuesday, February 14, 2012

Nostalgia: Vintage Valentines



From elaborate expressions of love to elementary school exchanges, Valentine’s day is one of the rare remaining holidays where we still send, make and share memorable written sentiments (yay!).

The history of the paper Valentine is a long one, dating back to the 1400s.  By the mid-1800s Valentine’s were so popular they were being manufactured in factories, and by the end of the century were almost 100% created by machines with elaborate die cuts, shapes and even pop-up or moving parts.

Whether handmade or printed, the timelessness of paper Valentines is evident in the wonderful vintage postcards and printed cards that were saved and now can be found in excellent condition on the dusty shelves of antique shops.  I have recently expanded my collection of vintage Valentines, charmed by the history captured in the illustrations and the messages on the back. (One of my favorites, featured below with the graceful 1920s woman at her dressing table, addressed to a Miss Emily, says "I thought I would send you a Valentine, From your Scholar").

To celebrate Valentine’s Day on The Paper Compass, I thought I would share some of my favorite vintage Valentines from my collection. 





   
I like to give vintage Valentines a second life by color copying them and creating new Valentines.  It makes me happy that they’ll live another day to delight and share some love.


What is the most memorable paper Valentine that you made or received?  How about a paper Valentine tradition that you remember? (I can still remember the dry sugary scent of candy hearts eaten as we walked around the first grade class room putting Valentines into manila envelopes taped to the back of our desk chairs.)

Have a wonderful Valentine's Day!  Share your paper Valentine memories here on The Paper Compass.